![]() Online: Fred Wilson: The Archives, Pace Gallery Website, September 15–October 22, 2022. Online: Fred Wilson: The Archives, Pace Gallery Website, November 1–December 10, 2022. But there’s a whole other layer of meaning.” Read Moreġ976, State University of New York, Purchase, BFAįred Wilson: Dramatis Personae, Pace Gallery, Los Angeles, November 4, 2023–December 22, 2024. “Of course, the color black-the absence of light-really has nothing to do with African Americans. “The color black represents African American people because it’s been placed on us as a representation,” Wilson says. In collaboration with the prominent American glass blower Dante Marioni, he began producing his first glass artworks in 2001-ambiguous black-colored forms that assert a multifaceted political undercurrent. As interventions, or “mining,” of the museum’s archive, Wilson re-presented its materials to make visible hidden structures built into the museum system, and American Society as a whole.Īt the onset of the twenty-first century, Wilson began to place more focus on his object-based work. His groundbreaking and historically significant exhibition Mining the Museum (1992) at the Maryland Historical Society, radically altered the landscape of museum exhibition narratives. Wilson’s early work was directed at marginalized histories, exploring how models of categorization, collecting, and display exemplify fraught ideologies and power relations inscribed into the fabric of institutions. By reframing objects and cultural symbols, he alters traditional interpretations, encouraging viewers to reconsider social and historical narratives. Fred Wilson is renowned for his interdisciplinary practice that challenges assumptions of history, culture, race, and conventions of display.
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